Also of interest is a later photo showing McCartney playing his Rickenbacker 4001S bass also with a capo on the fifth fret. One particularly revealing detail is that all three guitarists used capos on the fifth frets of their guitars. Harrison’s part mostly consisted of him doubling Lennon’s riff on his Gretsch Tennessean, most likely set to the bridge pickup as heard in his brief twangy solo.

012-.052), which also contributed to the smoother-sounding timbre. Lennon probably used flatwound Pyramid Gold strings (most likely. The P90 works better with standard nickel electric strings. Ironically, this was Gibson’s attempt to avoid feedback, but the model’s most famous use is to generate feedback.Ī P90 single-coil identical to those found on early Les Paul models was mounted under the top at the edge of the fretboard, with the polepieces extending through the top and covered with a small plastic housing. Unlike a modern acoustic-electric, the J-160E was designed with a heavier top and stiff ladder bracing to suppress vibration.

Lennon’s amplified J-160E provided that backbone for the guitar riff heard throughout the song, which has an unusual organ-like timbre. Instead of the usual high-pitched howl, the J-160E’s resonant chamber caused its sympathetic open A string to vibrate – similar to the effect of an E Bow – so vigorously that it buzzed against the fretboard.

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